Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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miskin
the raven addressing the assembled animals

ID: 56035

miskin the raven addressing the assembled animals
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miskin the raven addressing the assembled animals


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miskin

miskin was one of the best painters in the imperial atelier of akbar(1542 to 1605).  Related Paintings of miskin :. | Landscape with Trees (nn03) | Rue Notre-Dame, Paris | Strandvagen Stockholm | Progress of Love:The Lover Crowned | Horsemen in the hills |
Related Artists:
Alexander Ivanov
1806-1858 Russian Alexander Ivanov Galleries was a Russian painter who adhered to the waning tradition of Neoclassicism but found little sympathy with his contemporaries. Ivanov studied together with Karl Briullov at the Imperial Academy of Arts under his father, Andrey A. Ivanov. He spent most of his life in Rome where he befriended Gogol and succumbed to the influence of the Nazarenes. He has been called the master of one work, for it took 20 years to complete his magnum opus, The Appearance of Christ before the People (1837-57). It was for the next generation of art critics to do him justice. Some of the numerous sketches he had prepared for The Appearance have been recognized as masterpieces in their own right. Although Ivanov's major painting is a gem of the Tretyakov Gallery, the most comprehensive collection of his works can be viewed at the Russian Museum in St Petersburg.
ARALDI, Alessandro
Italian Painter, ca.1460-1530 He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of early Venetian Renaissance painters such as Giovanni Bellini and Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern, style.
Follower of Jacopo da Ponte
painted Christ in the house of Martha and Mary in 16th/17th century






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